With COVID restrictions in NSW continuing to ease, the live music industry is slowly beginning to get back up on its feet. Sydney Conservatorium’s new partnership with The Women’s Club will celebrate the return to live performance with a series of seven recitals across April to June, focusing on works written and performed by female musicians. Written by Katarina Grobler for Limelight Magazine (2021)

The newly formed Dreambox Collective opens its 2021 season with A Space of One’s Own; a musical exploration of home and belonging. he artists have partnered up with the Lillian Howell Project — a refuge that provides medium-term housing for girls aged 13-17. We chat with artistic director Chloe Chung about the concert and its powerful social impact. Written by Miranda Ilchef for CutCommon Magazine (2021)

How should we understand Clara Schumann, 200 years on? Katarina Grobler shares her thoughts ahead of Schumann’s 200th Anniversary. Written by Mark Bosch for CutCommon Magazine (2019).

“Of particular note was the deft communication between flautist Jessica Scott and clarinettist Claudia Jelic in How About Now; pianist Katarina Grobler’s well-weighted, ever-shimmering tremolando chords in The Farthest Place; and violinist Mateja Primorac’s phrasing the seemingly unphrasable of the highly angular, arrhythmic melodic line of Palmer’s Starving Poetry.” Written by Mark Bosch for CutCommon Magazine, 2018.